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supported by 4 fans who also own “Azure Sky”
Combining elements from just about every genre of electronic music from the past 50 years, everything from disco to gothic pop, new romantic to industrial, soul to indie, Night Leather combines them all flawlessly into new and timeless sounds and songs. The vocalists use the poetic and theatrical best of dark rock and pop without sounding cliché or campy. Dramatic but without melodrama. This is a gloss-black odyssey of poetic hedonism that no fan of synth-rock-pop should be without.
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The Freelancer's Blues
by Dougie Poole
supported by 4 fans who also own “Azure Sky”
A gorgeous, earnest album that plays like Roy Orbison and The Boss on diazepam. Rolls from my heart direct to Magic Mountain's Rio Grande...
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supported by 4 fans who also own “Azure Sky”
If Bill Callahan sang "Twinkle, Twinkle, Little Star" in his silky baritone, it would probably sound profound. That's why we, as listeners, are spoiled. Not only does Bill have one of the most beautiful voices in the music, he is also one of America's greatest poets.
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How Does It Feel EP
by Lizzie Weber
Missouri singer/songwriter Lizzie Weber delivers a trio of songs lightly informed by country music, and fleshed out with strings.
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Guardians Of Our Time
by Edd Donovan and The Wandering Moles
Edd Donovan's day job as a social worker brings a sense of empathy to his elegantly constructed political folk music.
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Australian singer Jessica tempers ornate baroque folk with stark gothic poetry, infusing sadcore with transcendent sensibilities.
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A fascinating, appealing record no less “weird” than the rest of her oeuvre, but certainly the most weirdly versatile.
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